![]() The cast of Texhnolyze is one of the more believably human ensembles I've ever seen in an anime, and it's difficult not to become attached to them.Īnother point I'd like to bring up is the weird disconnect it establishes between the events that happen on screen and the viewer. The characters are soft spoken but oddly compelling, especially in the case of Ichise. The world of Lux springs to life with many lush, yet dark and gloomy settings. The art is beautiful and highly atmospheric. you probably won't be able to take it all in with one viewing. The plot itself is highly complex, and as with Lain, Texhnolyze's spiritual predecessor, This slow and steady treatment of the story is more realistic and true-to-life for me, and while it might not be as instantly gratifying as some other series it's truly enveloping and convincing. However rather than bore me, I personally found the pace to be a breath of fresh air. The pace is slow and punishing, and if your main squeeze is the straightforward action side of anime you will probably hate this. Okay, I'm going to repeat what many others have said and state that Texhnolyze is NOT a series for everyone. While Lux steadily plunges into insanity, both Ichise and Ran find themselves involved in the greatest crisis the city has ever faced. In the midst of the chaos, new actors emerge: Ichise, an ex-boxer mutilated by Organo and recently texhnolyzed by Eriko "Doc" Kamata and Ran, a young florist who can see the future. The fragile balance of powers in Lux is disturbed when a mysterious visitor named Kazuho Yoshii begins committing a series of crimes that puts the gangs at each other's throats. This elusive organization, also in charge of the raffia production, delegates its executive authority to a group called Organo led by Keigo Oonishi-a self-righteous man with texhnolyzed legs who is rumored to hear the "voice of the city." The latter have the particularity not to trigger an immune response in their hosts and the "Class" has the privilege to conduct research on them. Almost secluded from the surface, the gangs' only interaction with the outer world is their mining operation of "raffia," which is the raison d'être of the city.Īvailable only in Lux, this rare substance is the basis of "texhnolyze" transplants that permit humans to replace parts of their body with cybernetic prostheses. Producer: Nobu Yamamoto (GENEON ENTERTAINMENT (USA) INC.In the dark underground city of Lux, people live in fear and despair under the rule of various criminal factions. Mastered by Seigen Ono (Saidera mastering)Įxecutive Producer: Henry Goto (GENEON ENTERTAINMENT (USA) INC.) Recorded at SoundCity studio / Victor Studio ![]() ![]() Recorded and Mixed by Masashi Yabuhara (except 01,02,25) Producer: yasuyuki ueda / Toshiaki Ohta (border-line) Keishi Urata (3,4,8,9,10,13,14,15,16,18,19,20,22,24)Ĭoordinated by Cherry Kaoru Hulsey (Blue Sun Film Co)Įxecutive Producer: Akihiro Kawamura / Yosuke Kobayashi / Masao Maruyama ![]() This release has the longer version of track 02, while the Japanese release ( PICA-1279) has an edited version. Pete Scriba, Erich Trushion, Damiano Antinori, Sheela-e, Naohei Hakuya Juno Reactor, Francesco Sansalone, Crictina Machado, Gackt, Mark Soskin, Booker King, Ben Wittman, Jack Walrath, Jay Rodriguez, Shiro Sasaki / 佐々木史郎, Hajime Mizoguchi / 溝口肇, Mina Kubota / 窪田ミナ, Masashi Shinozaki Group, Tsuneo Imahori / 今堀恒雄, Mitsuru Nasuno / 那須野満, Yasuo Sano / 佐野康夫, Ettore Gentile, Massimo Moriconi, Marcello Di Leonardo, Adriano Martino Keishi Urata / 浦田恵司, Koji Kasamatsu / 笠松広司, Hirofumi Goto Keishi Urata / 浦田恵司, Hajime Mizoguchi / 溝口肇, Tsuneo Imahori / 今堀恒雄, Adriano Martino, Francesco Sansalone, Ben Watkins, Mike Maguire, Gackt ![]()
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